mcabender-fassavoy-mcfassy:

image

the moment when they can’t contain their love for each other anymore

(x)

1) “Is this for Erik and Charles?” - he totally makes his own Cherik fanmixes

2) “Whisper it to me” - very suave, McAvoy. Even I’ve used that tactic to get someone I liked to brush their lips against my ear.

I love that McAvoy basically uses any excuse he can think of to invade Fassy’s personal space. And the way Michael looks at him beforehand…! also, when is Michael singing these songs James doesn’t know?  …I bet it’s in the shower!

Could they be any more gay for each other?

mcabender-fassavoy-mcfassy:

yahtzee63:

black—betty:

mcabender-fassavoy-mcfassy:

#the way Eriks face just drops though

 (x

#so erik grew up his entire life #thinking he was a freak and a monster #and no one could possibly care for nor understand nor love him #and charles comes into his life #and changes all of that #and gives him hope and shows him serenity and offers him love #and at the end of all that#even after he initially betrays charles #erik believes he’s doing the right thing #the /good/ thing #until this moment#when he hurts charles #with more than a punch or a betrayal #he’s sent to his knees screaming in agony #and erik realises #that although he thinks his path is the right one#he’s not a good person and he knows that #he’s /still/ a monster #because he wasn’t thinking charles is hurt and he’s /still a monster/ #he always was #always will be (via thedetectivedoesntdance)

And not to add to the train of pain and agony here, but think about the parallel between Charles getting shot and Erik’s mother getting shot. Both happen behind his back, both are tied to him using his powers (or rather, his inability to move the coin as a child—even though his mother’s death is not in ANY way Erik’s fault, Shaw has still tied it to his ability in the most painful and appalling way). I cannot imagine the horror of Erik hearing Charles cry out, and knowing, knowing that when he turns around Charles will be hurt, possibly dead. And reliving the horror of his mother’s death all over again. That’s part of what I see in his expression—the agony of that memory, and the horror that comes with living it all over again as a grown man…and knowing that this time, the bullet came from his own hand.

And to some extent, Erik *has* to be angry with Charles after this — because if he didn’t have the anger to shield him to some extent, he couldn’t bear it. I wonder whether Charles’ anger doesn’t spring from the same place; it’s easier to think “Erik is a monster” than to just face the tragedy of what happened between two people who loved each other.

8. the magic begins a scene you really wanted to be in the movies but wasn’t → career advice

"Well, then, I am confused…I’m afraid I don’t quite understand how you can give Mr. Potter false hope that —"
"False hope?" repeated Professor McGonagall, still refusing to look round at Professor Umbridge. "He has achieved high marks in all his Defense Against the Dark Arts tests —"
"I am terribly sorry to have to contradict you, Minerva, but as you will see from my note, Harry has been achieving very poor results in his classes with me —"
"I should have made my meaning plainer," said Professor McGonagall, turning at last to look Umbridge directly in the eyes. "He has achieved high marks in all Defense Against the Dark Arts tests set by a competent teacher."

THE ULTIMATE SNUGGLES

THE ULTIMATE SNUGGLES

LoOK hOw hAAAPpy eVerYONE iS

mcabender-fassavoy-mcfassy:

……. and it’s yOUrs

mcabender-fassavoy-mcfassy:

……. and it’s yOUrs

mcabender-fassavoy-mcfassy:

AU 
Charles is a famous erotica writer, and Erik is the editor of his latest book.
(Inspired by one of my favorite books - “The Siren”)

#vocabulary #SURE